The poster is about frameworks and guidance practice. It asks questions to foster discussion between attendees at a conference. It is intended to be mildly provocative. The choice of images relates to discussion within the accompanying essay regarding cleaning, functionality, in-painting and subjectivity. Five of the six images have an emphasis on texture. The intention is to suggest the pleasure in the materiality of things that conservators have. With thanks to the British Museum and Tate.
Drawing attention to "provenance" at the Met
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Courtesy of Christos Tsirogiannis
One of largest group of repatriated material from New York's Metropolitan
Museum of Art was dervied from Palladion Antike...
2 days ago

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