This poster addresses neutrality, objectivity, and
reversibility in the discipline of heritage conservation, particularly
pertaining to the appropriation of monumental architecture into the museum
setting. This topic is explored through the case study of the sixteenth-century
San Jerónimos cloister, now located within a new extension of the Museo del
Prado.
Drawing attention to "provenance" at the Met
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Courtesy of Christos Tsirogiannis
One of largest group of repatriated material from New York's Metropolitan
Museum of Art was dervied from Palladion Antike...
2 days ago

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