This poster addresses neutrality, objectivity, and
reversibility in the discipline of heritage conservation, particularly
pertaining to the appropriation of monumental architecture into the museum
setting. This topic is explored through the case study of the sixteenth-century
San Jerónimos cloister, now located within a new extension of the Museo del
Prado.
How to make a woodblock print like Hiroshige
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Make like a Japanese master with this step-by-step guide to printmaking.
2 days ago
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