Conservation decisions can impact on social systems of
meaning, uses and functions of objects. Working with the tangible spheres of
objects can also affect intangible aspects. Examples of the impact of conservation
can be seen more clearly when conservators work with living heritage and
communities.
Conservators are an inherent part of the heritage profession and should therefore be involved in the debate about unprovenanced antiquities. Although it may be difficult for conservators to avoid the treatment of such artefacts at this point, the improvement of education, transparency and accountability can lead to a better situation in the future. Conservators need to get involved with this topic as a profession and not leave the decision making process up to the individual.
The poster argues that conservators who conserve unprovenienced antiquities are not being much different from criminals who perform conservation techniques on the artefacts they illegally obtain. The poster also expresses the damage that can be done to the archaeological record by conservators who engage in the conservation of unprovenience artefacts.
Casing Rib
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What happens when you hybridize a bookbinder’s folding rib and a case
folder? You get the Casing Rib. The potter’s rib was adapted for
bookbinding by Chr...
A Fond Farewell
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By David Haberstich
When I accepted the position of coordinator/editor of the Smithsonian
Institution Collections Blog about two years ago, I certainly d...
Colored Time
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American Artist discusses science fiction in the context of contemporary
art and the concept of "Colored Time."
The post Colored Time first appeared on A...
Don’t work in the lab alone
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Working in a lab is safe most of the time, “except when it isn’t, and
that’s when being alone compounds the danger,” says a new lab safety video
about wo...
Dye-ing at the Museum
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On Saturday, June 29 the Chilkat Dye Working Group got together at the
museum for some hands-on dye experiments. Here’s some images!
Entrevista sobre barragens de rejeitos no Maranhão
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Pessoal, segue matéria com entrevista que dei acerca das barragens de
rejeito (Aurizona) e bacia de resíduos (Alumar) no Maranhão. Meu objetivo é
trazer ...
The AIC Blog has moved!
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The blog has move to AIC’s new Online Community. Any AIC member can post to
the blog without prior approval. All you need to do is tag your post
properly, ...
Chat with AndyBot at AAM 2018
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*In today’s guest post Regina Russian, Digital Accessibility & UX
Specialist, and Caroline Record, Creative Technologist at the Carnegie
Museums of Pittsb...
Positive Propaganda, Munich
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Escif Shepard Fairey Blu Aryz Positive-Propaganda is a non-profit art
association based in Munich, which is dedicated to establishing
contemporary and soc...
Tahitian Mourner's Costume Mounting
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We recently installed the Tahitian Mourner's costume into the new
Cook-voyage case. To make the complex mount on which the costume is
displayed, we work...
Tackling a trumeau
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[image: Displaying Library painting.JPG]
If I could have one photo represesent my theme "art restoration in
Virginia," it would be this one. It has it all...
Notice to Readers
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As of July 15, 2014 this site will no longer be updated. However, the
content will remain posted for your educational reference. Thank you!Filed
under: A...
Exciting News!
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The CSI: Sittingbourne lab is holding a special exhibition, 10:00am –
4:00pm, Tuesdays, Thursdays and Fridays for the first two weeks in April
(1-11th) + S...
THE GREAT PARCHMENT BOOK WEBSITE HAS GONE LIVE!
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The Great Parchment Book website has gone live! You can now start to
explore the Great Parchment Book for yourself. A good place to start is the
video on t...
Egyptology News 19th-22nd April 2013
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*Copied from @egyptologynews. *Today's photo of the fresco from the
Ashmolean Museum, which shows two Amarna princesses, is posted to accompany
Campbell ...
Art Packing Video Tutorial (2012)
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Title: Art Packing Video Tutorial
Uploaded by: ArtInstituteChicago
Date: 3 April 2012
Link: http://www.youtube.com/...
Art Theft: Athens UPDATED
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Two paintings by Pablo Picasso - "Female Head" which was donated by the
artist to the Greek people in recognition for their fight against the Nazis
during...