The Great Compromise poster addresses the argument within the Organological community in relation to playing historically functioning musical instruments. In no uncertain terms this issue continues to present challenges within the community and a viable solution needs to be found so as to maximize the information we can gain from these objects. The poster briefly explores both sides of the argument and suggests a way in which a “Great Compromise” could be implemented.
Target Audience
Anyone involved with Organology. Restorers, Performers, Conservators, Academics and Members of the Public.
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