This poster addresses neutrality, objectivity, and
reversibility in the discipline of heritage conservation, particularly
pertaining to the appropriation of monumental architecture into the museum
setting. This topic is explored through the case study of the sixteenth-century
San Jerónimos cloister, now located within a new extension of the Museo del
Prado.
Lydian Hoard: More Returns to Türkiye
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Source: New York, Metropolitan Museum of Art
New York's Metropolitan Museum of Art has returned two more pieces of
silver from the Lydian Hoard. They con...
2 days ago
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