This poster addresses neutrality, objectivity, and
reversibility in the discipline of heritage conservation, particularly
pertaining to the appropriation of monumental architecture into the museum
setting. This topic is explored through the case study of the sixteenth-century
San Jerónimos cloister, now located within a new extension of the Museo del
Prado.
Archaeology and the Public
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Jimmy Corsetti (apparently hungover, unshaven with dark glasses and a
stupid hat): "*A detailed analysis of the dire circumstances occurring at
Gobekli T...
12 hours ago
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