This poster addresses neutrality, objectivity, and
reversibility in the discipline of heritage conservation, particularly
pertaining to the appropriation of monumental architecture into the museum
setting. This topic is explored through the case study of the sixteenth-century
San Jerónimos cloister, now located within a new extension of the Museo del
Prado.
Authenticity and Cycladic figures
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I understand that in February there will be a closed conference to explore
the Stern collection of Cycladicising objects currently on loan to New
York's M...
2 days ago

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