The problems inherent in the
conservation of Sol LeWitt’s wall drawings are presented: their
(contradictory) status as an idea for an artwork that can exist without
material expression, and their later acquisition of material
authenticity. LeWitt’s oeuvre is then considered genealogically, finding
for each work both conceptual and material significance.
Museum Secures Iron Age Hoard After Reaching £10,500 Target
-
OODLES of pukka archaeological information no doubt came out of this
keyhole "archaeology"
alongside the "gotta-gettem-orl-out" artefacts. Don't leave sh...
2 days ago
No comments:
Post a Comment