The problems inherent in the
conservation of Sol LeWitt’s wall drawings are presented: their
(contradictory) status as an idea for an artwork that can exist without
material expression, and their later acquisition of material
authenticity. LeWitt’s oeuvre is then considered genealogically, finding
for each work both conceptual and material significance.
Spain Launches Investigation into Auction of Yemeni Artifacts in Barcelona
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'Spain Launches Investigation into Auction of Yemeni Artifacts in Barcelona',
YemenOnline 2025-10-20
Spanish authorities are investigating the sale of...
1 day ago
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