This object was purchased by Charles Jarvis as a keepsake on one of his many work trips. Charles promoted British agriculture and exportation during the 1970’s and 80’s and his work took him to China, the Middle East and India. To this day, his family remain the main stakeholders of this object which is now treasured as a symbol of Charles’ successful career and a reminder of a much-loved family member.
It is likely that this object originates from China and was crafted in the 19th Century. This object does not have a maker’s mark however the natural subjects are commonly depicted in Chinese decorative art. The bird could represent a magpie which in China is a symbol of fortune. The foliage is harder to identify but could be chrysanthemums. The pairing of a magpie and chrysanthemums can be interpreted as ‘joy coming to the whole family’. A good omen to take home to the Jarvis family.
Figure 2: A comparison of chrysanthemums. The image on the left is a ink painting of Chinese chrysanthemums.
The original craftsman or local community cannot yet be identified. This ethnographic insight would be useful in revealing further significance such as a more specific date of manufacture, and region from which the stone could have been quarried. This object may have been produced for tourist trade which should not reflect negatively or detract from the aesthetic and cultural values and appreciation of craftsmanship.
Soapstone is not held in such high regard as carvings from more precious, harder stones such as jade. This could mean that this vase and others like it are yet to be documented and so there is further educational value that this piece has yet to contribute. This object may be valued more highly now from our pandemic perspective now that we cannot travel so easily and souvenirs and keepsakes from foreign countries should be more appreciated.
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