By S. Vasiliou
‘Democracy continues its disturbing retreat’ - ‘Democracy continues its disturbing retreat’ While antiquities source countries vary in the nature of their political organization, almost all of the m...
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This poster aims to highlight the physical implications that conflicting socio-cultural and socio-political views have on works of art, focusing particularly on nude works in the 19th century. It presents examples of damage and alterations carried out, on statues and paintings, as a result of evolving philosophies, and explains why such actions should be defined as vandalism.
Target audience: Students studying conservation, art history and fine art.